Duane Bryer's Hilda - First graphic Plus Size Pin Up Girl

Robert Greene The Art Of Seduction - Duane Bryer's Hilda - First graphic Plus Size Pin Up Girl

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The Pin Up Girl

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Robert Greene The Art Of Seduction

Before we talk about the curvy, swervy, plus-size-bikini-clad Hilda, the stage is going to be set with a diminutive history of the pin up girl. I'll take you back in time now, with a short story about a few of the most talented and popular Pin Up illustrators in American history.

Earl Christy, (1883-1961)
We'll begin with the prolific Earl Christy, who's porcelain-doll-like illustrations appeared on all things from Hollywood magazine covers and commercial advertisements to sheet music and postcards. His work can be found going back as early as 1906. His movie posters and covers he painted for "Photoplay" and other Hollywood magazines are now needful accumulator items.

Earl Moran (1893-1984)
Earl Moran's artistic genius appeared on all things from Sears and Roebuck catalogs to Life magazine and millions of Brown and Bigelow Calendars. How he's remembered most is straight through his pin ups. Moran's stunningly rendered pastel "visions" offer more situational range than any other major illustrator. Of his most enduring legacies are his 1940s paintings of a phenomenal
young model named Norma Jean Baker. He painted more images of her than any other artist.

Rolf Armstrong (1889-1960)
Rolf Armstrong was someone else paramount Brown and Bigelow calendar artist. After arriving home from a trip to France in 1919, he opened a studio in Greenwich hamlet where he painted the Ziegfeld Folly girls. Later, while in Hollywood, all the great stars of the era posed for him. popular actresses like Mary Pickford, Greta Garbo, Marlene Dietrich and Katherine Hepburn were all painted by him. He even talked Boris Karloff into posing for him on the set of the customary "Frankenstein".

He refused to work from photographs and was all the time on the quest for the exquisite model. When asked why he beloved a live model over a photograph, he said, "I want the living person in front of me. As I look at her again and again and again while I work, I get a thousand fresh, vivid impressions... All the glow, exuberance, and spontaneous joy that leaps from a young and happy heart."

Armstrong's pastel pin ups of his idealized, scantily clad,"girl next door" have a distinctive, luminous and shimmering quality to them. His paintings of healthy, nubile young women are some of the most memorable of all the paramount illustrators. He was truly a man of rarefied talent.

George Petty (1894-1975)
The Pin Up ultimately exploded into the popular culture with Esquire Magazine's introduction of s"Petty Girl" in 1933. Slender, flirtatious and highly shapely, the Petty Girl became an American institution, capturing our hearts and minds for more than twenty years. From 1933 to 1956, her images were seen in tens of millions of places; every where from magazines and billboards to playing cards and match books, even aircraft "nose art" in Wwii. In 1950, she was made into a movie starring Robert Cummings and Elsa Lanchester.

Gil Elvgren (1914-1980)
No pin up gallery is faultless without displaying the phenomenal talent of Gil Elvgren. His enchanting, dreamy renderings of the nubile female form cannot be eclipsed in genius by any other artist. He was sublimely talented! A pupil of the Minneapolis Art Institute, he liked to paint girls who were new to the modeling business. He believed the ideal pin up was a girl with
a fifteen year old face on a twenty year old body, so he combined the two. While the forty two years spanning 1930-1972, he produced over five hundred paintings of beautiful young women, nearly all painted on oil and canvas. Today, his fully developed, concluded works of art are second only in value to the paintings of Alberto Vargas.

Alberto Vargas (1896-1982)
The most prolific and paramount glamor illustrator of all time is Alberto Vargas. The son of Max Vargas, a paramount and talented photographer in his own right, Alberto learned to airbrush from his father before he was a teen. Most don't realize he was for real born in Peru, and didn't come to the Us until 1916. He arrived on Ellis Island via Europe, where he had been since 1911. While
there, he had studied in both Geneva and Zurich, and by the time had made his way here, he was already a gifted talent arrival into bloom. Within three years he had hung his own shingle and was painting store fronts and window displays for New York City merchants.

One warm afternoon in May 1916, while painting a window display for a uptown merchant, he was approached by a laborer of the Ziegfeld Follies and asked to show his work to the great Ziegfeld himself. Within forty eight hours, he was commissioned to paint 12 portraits of the prominent stars of the 1919 season of the Ziegfeld Follies. They were for the lobby of the New Amsterdam Theatre.

From that first commission on, Alberto Vargas was an artist in high demand.

He painted every major star of the Ziegfeld Follies and later major Hollywood stars like Betty Grable, Jane Russell, Ann Sheridan, Ava Gardner Linda Darnell, Marlene Dietrich, Loretta Young, and even Marilyn Monroe all posed for him.

In 1940 he substituted the great George Petty at Esquire magazine and by 1945 was the most paramount glamor illustrator in the world.

Baby boomers all know him as the originator of Playboy Magazine's Vargas Girl. He painted over 150 of his Vargas Girl masterpieces for Playboy.

He was married over forty years to the love of his life, Anna Mae Clift. When she passed away in 1974, he lost most of his creative drive and worked just a few more times doing The Cars "Candy O" album cover and two album covers for Bernadette Peters. He passed away in Los Angeles in December, 1982.

Now, the conjecture this narrative was written...to talk about the most shapely, wondrously round, perfectly proportioned, plus size, pear shaped charm in Pin Up girl history: Duane Bryers' "Hilda"

One night, while prowling "Google Images" for curvaceous content, I found myself at Les Toil's Big beautiful Pin Up Gallery. I clicked straight through and followed his fun and curiously titled links seeing for the well-nourished, feminine imagery I had started out that night seeing for.

After I got done admiring Les' talent, I went back to his homepage and clicked on a cheerful teal and yellow banner with the name "Hilda" written over it. I clicked on it, not ready at all for what I was about to see.

As soon as the page opened, I stopped and looked in wonder. It was one of those moments when you're seeing something with which you're wholly taken; the world colse to you seems to disappear, and all things goes wholly silent as your focus narrows, taking in what's in front of you.

Discovering Hilda was like discovering lost treasure. I recognized her right away. I remembered her as a exquisite likeness of what I had for years idealized in the feminine form; round, soft, pear-shaped, plump, and shapely to the extreme.

If one's natural male instinct is to reply to the rounder, softer, more generously proportioned woman, you will understand why there is so much to like about her. From her long, soft legs, girlish face, plump, attractive arms, to her hips, round and wide, you see a foresight of femininity forming in front of you. Add to all that her ample, well-developed breasts, soft, compliancy tummy and glorious hip-waist ratio, and you observe she is an ideal example of full-figure perfection. The exquisite plus size, pear-shaped,
nubile beauty.

Unlike the stick-thin, female icons so popular today, Hilda has not one angular feature. She sublimely embodies the old fashioned womanly ideals of "round and soft". She is feminine to the nth degree.

Duane Bryers was the first illustrator to use plus size models as subjects in his pin up art. Sometimes he didn't use a model at all and painted from memory or fantasy. A feat, according to pin up artist Les Toil, "most impressive!"

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